The request to design the costumes for the Paralympic Costumes opening ceremony, which took place in Paralympic Costumes on Wednesday and featured a parade along the Champs-Élysées that finished at the Place de la Concorde, pleased Louis-Gabriel Nouchi of the Paralympic Costumes fashion business LGN.
“I wanted to give this project everything I had because, you know, it was the Paralympic Costumes, and it was really close to my heart because I work a lot at LGN on inclusivity in terms of plus size, age, and diversity of bodies on the runway during fashion week,” Mr. Nouchi, 36, stated. Mr. Nouchi, who is renowned for creating tastefully understated menswear with a sharp modern edge, smiled throughout the video interview while wearing a plain black T-shirt, a thick moustache, and a cigarette.
His appointment to the His appointment to the Paralympic Costumes did not instantly instill a feeling of patriotism in him. Despite being born and growing up in Paris, Mr. Nouchi received his training in Belgium and began his career working in Italy. He claimed that his time spent away from France had a significant impact on his personality as a design. However, creating hundreds of outfits for creators with handicap awakened his dormant pride in his nation.
did not instantly instill a feeling of patriotism in him. Despite being born and growing up in Paris, Mr. Nouchi received his training in Belgium and began his career working in Italy. He claimed that his time spent away from France had a significant impact on his personality as a design. However, creating hundreds of outfits for creators with handicap awakened his dormant pride in his nation.
As he worked on this project, Mr. Nouchi remarked, “I was becoming increasing in importance patriotic.” “My pride increased as I worked harder throughout fits and rehearsals. Furthermore, it’s challenging for French people to take pride in their nationality.
Although the task was simple, it was a massive undertaking: make about 700 pieces of apparel that performers with impairments could wear throughout the celebrations. Mr. Nouchi claimed that he was aware right away that he didn’t want to make costumes. He preferred for his attire to have a supporting part in the performance. Not only should the clothes be comfortable, but they should also have an urban, Paralympic Costumes. He did not want his attire to overwhelm the show or the occasion.
He needed to approach things differently than he would have for a runway show in order to accomplish this. He considered the movements and noises the cloth would create if 200 artists were all on stage at once. “Functionality is what separates a Paralympic Costumes from a garment,” he stated. He took the decision to design machine-washable jersey clothing. But the items don’t lack style—he used feathers, rhinestones, and embroidery in his designs.
Mr. Nouchi wore an assortment of formal and informal attire for the opening ceremony. His selections for the Paralympics have a stylish, minimalist feel, much like his LGN Paralympic Costumes designs. There was an enormous glossy blue clothes with pleats, a glowing, oversized silver blazer, a tunic alongside possibly the deepest V-neck you’ve ever seen, a blue denim button-up shirt with deep red drips and a red tracksuit with illustrations along its shoulder the blades highlighted with black and white lines.
Overall, Mr. Nouchi chose a colour palette that deconstructed the French flag: red, white, and blue. “You’re not representing the national flag in the United States; that’s what we do in France,” he declared. “There are times when flying the French flag is not a very positive thing.”
Mr. Nouchi stated that he asked himself, “What’s the reference? ” when coming up with the appearance. Is it the appropriate citation? He went on, “When that you talk about fashion, nothing is innocent.” “When that you truly talk about inclusiveness and various kinds of bodies in this ceremony, that you’re talking about society,” the speaker said.
Mr. Nouchi noted that creating clothes for individuals with impairments was comparable to creating apparel for healthy individuals. However, he had to weigh a variety of things to consider. He said, “You don’t want to draw attention to someone in a wheelchair because it’s not favourable to the silhouette.” Some people were against wearing long sleeves since their skin had to come into touch with a wheelchair to allow for them to perform.
He remembered that when one of the dancers tried on a suit he had made for her, she broke down into tears. The dancer, whom utilises a wheelchair, reportedly told Mr. Nouchi, “You have no concept what the purpose of this is for me.” Despite her desire to put on a suit, she was never able to locate one that fit her figure.
Working on the inaugural ceremony of the Paralympic Costumes was a freeing moment for Mr. Nouchi. Mr. Nouchi stated, “I was making clothes for the beauty of gesture.” “After that, nothing will be for sale. It is not just my concern. All I’m doing is the clothing. It was a huge assistance to me to be creatively free and to try new things.
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